Shopping Cart Link


Wesleyan University Press







Sign up for our newsletter







Bookmark and Share
Cart
Cart link
Hardcover add to cart
Paperback add to cart


For Educators
View cart
Cover image Click for larger image

Traveling Spirit Masters
Moroccan Gnawa Trance and Music in the Global Marketplace
Deborah Kapchan



Music/Culture

Wesleyan
2007 • 362 pp. 19 illus. 6 x 9"
Music / African Studies

$29.95 Paperback, 978-0-8195-6852-6
$75.00 Hardcover, 978-0-8195-6851-9

(Hardcover is un-jacketed.
Cover illustration is for paperback edition only)



Traveling Spirit Masters will … prove to be of greater interest to students and scholars of Middle East studies.”Jeffrey Callen, Review of Middle East Studies / MESA Bulletin

The sacred and musical phenomenon of trance

A group of ritual musicians and former slaves brought from sub-Saharan Africa to Morocco, the Gnawa heal those they believe to be possessed, using incense, music, and trance. But their practice is hardly of only local interest: the Gnawa have long participated in the world music market through collaborations with African-American jazz musicians and French recording artists. In this first book in English on Gnawa music and its global reach, author Deborah Kapchan explores how these collaborations transfigure racial and musical identities on both sides of the Atlantic. She also addresses how aesthetic styles associated with the sacred come to inhabit non-sacred contexts, and what new amalgams they produce. Her narrative details the fascinating intrinsic properties of trance, including details of enactment, the role of gesture and the body, and the use of the senses, and how they both construct authentic Gnawa identity and reconstruct historically determined relations of power. Traveling Spirit Masters is a captivating and elucidating demonstration of how and why trance—and indeed all sacred music—is fast becoming a transnational sensation.

Click here for TABLE OF CONTENTS

Reviews / Endorsements

Traveling Spirit Masters will … prove to be of greater interest to students and scholars of Middle East studies.”Jeffrey Callen, Review of Middle East Studies / MESA Bulletin

“This book is lucid, imaginative, and impressively erudite. It consistently demonstrates the importance of performance in the formation, circulation, and transformation of identity, and pays attention to the workings of image and power in their minutest details.”—Susan Slyomovics, author of The Performance of Human Rights in Morocco

“Kapchan takes things, words, actions, and meanings seriously in their inescapably messy intermingling. An original, engrossing and thought-provoking addition to the literature on spirit possession and an eye-opening account of what it means to be “entranced” by culture.”—Veit Erlmann, endowed chair of music history, University of Texas at Austin



Author Photo

DEBORAH KAPCHAN is an associate professor of performance studies at New York University. She is the author of Gender on the Market: Moroccan Women and the Revoicing of Tradition (1996).



Wed, 17 May 2017 12:53:20 -0500