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Zong!
M. NourbeSe Philip; Setaey Adamu Boateng, contrib.



Wesleyan Poetry Series

Wesleyan University Press
2008 • 224 pp. 7 x 9 1/4"
Poetry / African Studies

$17.95 Paperback, 978-0-8195-7169-4
$24.95 Hardcover, 978-0-8195-6876-2

$12.99 Ebook, 978-0-8195-7245-5

Check your ebook retailer or local library for ebook availability.



“At times I’m uncomfortable with both poetry and history, but then a book like Zong! comes along and reminds me how the lyric can shake up history’s limited logics and history can shake up poetry’s occasional evasive sheen.”—Jill Magi, Poetry Project Newsletter

A haunting lifeline between archive and memory, law and poetry

In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert—the only extant public document related to the massacre of these African slaves—Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten. Check for the online reader’s companion at http://zong.site.wesleyan.edu.

Check for the online reader's companion at http://zong.site.wesleyan.edu.

Click here for TABLE OF CONTENTS

Reviews:

"…as Philip emphasizes, the story of the Zong is ultimately a story that can only be told by not telling. So even in the sea of words that fill up the final pages of Zong!, the registers of silence that mark the text are resounding." —Kate Eichorn, XCP: Cross Cultural Poetics

“Nourbese-Philip cannot not ‘create’ a story, even against her own intentions to ‘merely’ document.” "…she treats each page as a field, a canvas—more accurately, the sea. The visual effect of viewing so many de-worded letters, de-sentenced words is astonishing; one seems to be looking at bodies in the ocean, their cries mere noise, sounds that only occasionally coalesce into words, phrases, sentences."Tyrone Williams, African American Review

Endorsements:

“A brash, unsettling book, Zong! wants to chant or shout history down, shut history up. It not only laments and mimics history’s unreason but, verisimilar and retributive both, deranges history, as if to reorder its linguistic protocols might undo or redo history itself. Fretful, possessed, obsessed, upset, curse and homeopathy, both, it visits a breathtaking run of glossolalic scat upon historical trauma.” —Nathaniel Mackay, author of Bass Cathedral

“Those still confused about why poetry might fracture and splinter and stutter can find an answer in the work of M. NourbeSe Philip. In Zong! she delves into the trauma of the plantation economy and allows her language to be shaped by the conflicts between telling and not telling, between naming and not naming that define the horrifying story of the slave ship Zong. This book is exceptional and uniquely moving.”—Juliana Spahr, author of This Connection of Everyone with Lungs

From the Book:

… facts own their lives
in circumstance
&
happening
in trial &
declaration
in the absolute
of rule
&
lord
in the absolute
of water
—from “Zong! #22”



M. NOURBESE PHILIP is a poet, writer, and lawyer whose previous collections of poetry include She Tries Her Tongue, Her Silence Softly Breaks (1989). Born in Tobago, she now resides in Toronto, Ontario. SETAEY ADAMU BOATENG is the voice of the ancestors revealing the submerged stories of all who were on board the Zong.



National Endowment for the Arts
This project is supported in part by an award from the
National Endowment for the Arts





Sun, 5 Oct 2014 14:34:26 -0500