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My Music, My War
The Listening Habits of U.S. Troops in Iraq and Afghanistan
Lisa Gilman


2016 • 240 pp. 4 illus. 6 x 9"
Ethnomusicology / Iraq War (2003-2011) / Afghan War (2001-)

$26.95 Paperback, 978-0-8195-7600-2
$80.00 Hardcover, 978-0-8195-7599-9

$21.99 Ebook, 978-0-8195-7601-9

Check your ebook retailer or local library for ebook availability.

(Hardcover is un-jacketed.
Cover illustration is for paperback edition only)

“[A]n important, even indispensable, study that resists broad mischaracterizations about U.S. troops at war.”—Jonathan Pieslak, Volume!

Music in the everyday lives of U.S. troops and combat veterans

In the wars in Afghanistan and Iraq, recent technological developments in music listening enabled troops to carry with them vast amounts of music and easily acquire new music, for themselves and to share with their fellow troops as well as friends and loved ones far away. This ethnographic study examines U.S. troops’ musical-listening habits during and after war, and the accompanying fear, domination, violence, isolation, pain, and loss that troops experienced. My Music, My War is a moving ethnographic account of what war was like for those most intimately involved. It shows how individuals survive in the messy webs of conflicting thoughts and emotions that are intricately part of the moment-to-moment and day-to-day phenomenon of war, and the pervasive memories in its aftermath. It gives fresh insight into musical listening as it relates to social dynamics, gender, community formation, memory, trauma, and politics.

Click here for TABLE OF CONTENTS

Reviews / Endorsements

“A gifted interviewer, Lisa Gilman goes beyond stereotypes of the wounded American soldier by painting a complex and nuanced emotional portrait of contemporary soldiers’ lives, ones which the media rarely allow us to see and hear.”—Jonathan Ritter, coeditor of Music in the Post-9/11 World

My Music, My War makes an original contribution to current studies on music and war, with its nuanced discussion of how music listening is used to define, and at times resist, gendered norms and rhetorics of hyper-masculinity, as well as the complex roles that music plays in veterans’ reintegration into civilian life.”
—Kip Pegley, coeditor of
Music, Politics, and Violence

LISA GILMAN is an associate professor in the Department of English and Folklore Program at the University of Oregon. She is the author of The Dance of Politics: Performance, Gender, and Democratization in Malawi and director of the film Grounds for Resistance: Stories of War, Sacrifice, and Good Coffee.

Tue, 16 Jan 2018 13:24:11 -0500