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Woody on Rye
Jewishness in the Films and Plays of Woody Allen
Vincent Brook, ed.; Marat Grinberg, ed.



Brandeis Series in American Jewish History, Culture, and Life

Brandeis University Press
2013 • 312 pp. 6 x 9"
Jewish Studies / Film, TV, Visual Culture

$35.00 Paperback, 978-1-61168-480-3
$85.00 Hardcover, 978-1-61168-479-7

$34.99 Ebook, 978-1-61168-481-0

Check your ebook retailer or local library for ebook availability.

(Cloth edition is un-jacketed.
Cover illustration is for paperback edition only)



“Reading through Woody on Rye I found myself engaged, stimulated, provoked, enticed, and intrigued by so many glimmering visions seen through so many sharp critical lenses. The book is rich with possibility and insight.” —Murray Pomerance, author of The Eyes Have It: Cinema and the Reality Effect

A critical assessment of Jewishness in Woody Allen’s films and plays

Although Woody Allen’s films have received extensive attention from scholars and critics, no book has focused exclusively on Jewishness in his work, particularly that of the late 1990s and beyond. In this anthology, a distinguished group of contributors—whose work is richly contextualized in the fields of literature, philosophy, film, theater, and comedy—examine the schlemiel, Allen and women, the Jewish take on the “morality of murder,” Allen’s take on Hebrew scripture and Greek tragedy, his stage work, his cinematic treatment of food and dining, and what happens to “Jew York” when Woody takes his films out of New York City. Considered together, these essays delineate the intellectual, artistic, and moral development of one of cinema’s most durable and controversial directors.

Click here for TABLE OF CONTENTS

Reviews:

 “A collection of new voices chime in on the work of Woody Allen. Serious scholarship, with a dash of humor. A must for fans and film critics alike.”—Patricia B. Erens, author of The Jew in American Cinema

“The arc of Woody Allen’s career has been dramatic — from writing gags and doing nightclub gigs, to making movies that are punctuated with death-of-God despair. Now recognized as an auteur, Allen has sometimes treated his Jewish heritage as an object of satire, but always as an inescapable social datum. The scholarly implications for both ethnic studies and film studies are traced in Woody on Rye, a rich and indispensable analysis of its subject.” —Stephen J. Whitfield, Professor of American Studies, Brandeis University

“The best book about movies in years. Some of the essays are stylistically, referentially difficult. That is part of their value—nothing glib, nothing facile, and not much attention to gossip or scandal. This book will thrill all readers. . . . Highly recommended.” —Choice



VINCENT BROOK teaches at USC, UCLA, Cal State LA, and Pierce College. His most recent book is Land of Smoke and Mirrors: A Cultural History of Los Angeles. MARAT GRINBERG is associate professor of Russian and humanities at Reed College. He is the author of “I am to be read not from left to right, but in Jewish: from right to left”: The Poetics of Boris Slutsky.






Thu, 23 Oct 2014 12:58:07 -0500