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A Fiddle Pulled from the Throat of a Sparrow
Noah Eli Gordon



Green Rose Series

New Issues Poetry & Prose
2007 • 89 pp. 6 x 9 3/4"
Poetry

$14.00 Paperback, 978-1-930974-68-5



“With obfuscating cascades of images and precisely tumbling syntax, the 33 archly titled poems and sequences in Gordon's fourth collection attempt to assemble, sometimes like... [continued in Reviews below]”—Publishers Weekly

Reviews / Endorsements

“With obfuscating cascades of images and precisely tumbling syntax, the 33 archly titled poems and sequences in Gordon's fourth collection attempt to assemble, sometimes like a computer running a poetic algorithm, a hallowed new world flush in art and music. Written with exactness (sonnet sequences, a series of seven line poems, anaphora, etc.), the pieces are thickly smattered with the bedrock and easy emotion of the deep image, the hipster-abstract, and bible-ese: "the sound of smoke // was that of expansion // but the breaking of bread // like a dusk-shadow // became a name // losing itself in echo." When Gordon (Novel Pictorial Noise, chosen by John Ashbery for the National Poetry Series) directs instead of alludes, wonderful harmonies accrete from these patterns: "forget almond trees, grapes & poppies // what he wouldn't believe is the inescapable music here // the night filling with beloved firetrucks // cover your ears to cover the passing sirens // praise the passing sirens." An intellectual latitude is at work here: Gordon references Barthes, Holderlin, Novalis, Stein, Twombly and many others that shadow the cacophony here. If the reader is sometimes pushed away by all the activity, the verse that floats to the top can be stunning.”—Publishers Weekly

“You can fairly hear the pinging of the world and all its parts—noises of earth's objects rubbing against each other and the spheres. In this ebullient music find the translation of colors, shapes, space, speech, integrity, destruction. It's as if the world's most believable cape were thrown back and below we found not a sham of seasons but all the body's most dynamic possibilities.”—Eleni Sikelianos

Awards/Recognition:

Winner of the Green Rose Prize (2006)


NOAH ELI GORDON is the author of eight books, including The Year of the Rooster (Ahsahta Press, 2013), The Source (Futurepoem, 2011), and Novel Pictorial Noise (Harper Perennial, 2007), which was selected by John Ashbery for the National Poetry Series and subsequently chosen for the San Francisco State Poetry Center Book Award.
Gordon is the co-publisher of Letter Machine Editions, an editor with The Volta, and an Assistant Professor in the MFA program in Creative Writing at The University of Colorado–Boulder, where he currently directs Subito Press.



Sat, 2 Dec 2017 12:22:11 -0500