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The Work of Dance
Labor, Movement, and Identity in the 1930s
Mark Franko

Wesleyan University Press



Contents

• List of Illustrations
• Acknowledgments
• Introduction: Dance/Work/Labor
• Part I: Emotion and Form
• Organization and Performative Economies of Work
• Essentialized Affect and E/motion
• Metakinetic Interpellations
• Cultural Cross Dressing as Class Construction
• part II Genre and Class
• The Ballet-versus –Modern Wars as Ideology
• Lives of Performers: News, Sex, and Spectacle Theory
• Strikes, Revues, and the Organized Dancer
• Notes
• Bibliography
• Index
• About the Author

Wed, 18 Oct 2017 13:58:56 -0500