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Locating East Asia in Western Art Music
Yayoi Uno Everett, ed.; Frederick Lau, ed.

Wesleyan University Press



Contents

Interultural Synthesis in Postwar Western Art Music: Historical Contexts, Perspectives, and Taxonomy – Yayoi Uno Everett
• Fusion or Fission: The Paradox and Politics of Contemporary Chinese Avant-Garde Music – Frederick Lau
• The Cultural Politics of Japan’s Modern Music: Nostalgia, Nationalism, and Identity in the Interwar Years – Judith Ann Herd
• Two Practices Confused in One Composition: Tan Dun’s Symphony 1997: Heaven, Earth, Man – Yu Siu Wah
• John Zorn and the Postmodern Condition – Ellie M. Hisama
• Music from the Right: The Politics of Toshiro Mayuzumi’s
Essay for String Orchestra – Steven Nuss
• Henry Cowell and His Chinese Music Heritage: Theory of Sliding Tone and His Orchestral Work of 1953-1965 – Nancy Yunhwa Rao
• The Evolution of Chou Wen-chung’s Variable Modes – Eric Lai
• Musical Syncretism in Isang Yun’s Gasa – Jeongmee Kim
• Contemporary Japanese Music: A Lecture by John Cage – Edited by Fredric Lieberman
• Toru Takemitsu, on Sawari – Translated and Annotated by Hugh De Ferranti and Yayoi Uno Everett
• Wenren and Culture – Chou Wen-Chung

Wed, 15 Nov 2017 15:06:07 -0500