Global Soundtracks
Worlds of Film Music
Mark Slobin, ed.

Wesleyan University Press
distributed by
University Press of New England

Table of Contents

• Preview of Coming Attractions - Mark Slobin
• ONE: AMERICAN WORLDS
• The Steiner Superculture - Mark Slobin
• The Superculture beyond Steiner - Mark Slobin
• Subcultural Filmways - Mark Slobin
• TWO: GLOBAL FILM MUSICS
• CINEMA SYSTEMS
• That Bollywood Sound - Greg Booth
• Tamil Film Music: Sound and Significance - Joseph Getter and B. Balasubrahmaniyan
• The Influence of Hindi Film Music on Hausa Videofilm Soundtrack Music - Abdalla Uba Adamu
• Reflexive Cinema: Reflecting on and Representing the Worlds of Chinese Film and Music - Sue M.C. Tuohy
• CINEMA MOMENTS
• Music in Indonesian “Historical” Films: Reading “Nopember 1828” - Sumarsam
• ‘The Soul Has No Color’ but the Skin Does: “Angelitos Negros” and the Use of Blackface on the Mexican Silver Screen, ca. 1950 - Marilyn Miller
• “Baianas,” “Malandros” and Samba: Listening to Brazil Through Donald Duck’s Ears - Eric A. Galm
• Diversity and Orality in Euzhan Palcy’s “La Rue cases-nègres” - Brenda F. Berrian
• Listening to Abd al-Halim Hafiz - Martin Stokes
• THREE: COMPARATIVE VISTAS
• Comparative Vistas - Mark Slobin
• Contributors
• Index of Film Titles
• Index of Personal and Geographic Names

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