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Global Soundtracks
Worlds of Film Music
Mark Slobin, ed.

Wesleyan University Press



Contents

• Preview of Coming Attractions – Mark Slobin
• AMERICAN WORLDS
• The Steiner Superculture –
Mark Slobin
• The Superculture beyond Steiner –
Mark Slobin
• Subcultural Filmways –
Mark Slobin
• GLOBAL FILM MUSICS
• CINEMA SYSTEMS
• That Bollywood Sound –
Greg Booth
• Tamil Film Music: Sound and Significance –
Joseph Getter and B. Balasubrahmaniyan
• The Influence of Hindi Film Music on Hausa Videofilm Soundtrack Music –
Abdalla Uba Adamu
• Reflexive Cinema: Reflecting on and Representing the Worlds of Chinese Film and Music –
Sue M. C. Tuohy
• CINEMA MOMENTS
• Music in Indonesian “Historical” Films: Reading
Nopember 1828Sumarsam
• ‘The Soul Has No Color’ but the Skin Does:
Angelitos Negros and the Use of Blackface on the Mexican Silver Screen, ca. 1950 – Marilyn Miller
Baianas, Malandros and Samba: Listening to Brazil Through Donald Duck’s Ears – Eric A. Galm
• Diversity and Orality in Euzhan Palcy’s
La Rue cases-nègresBrenda F. Berrian
• Listening to Abd al-Halim Hafiz –
Martin Stokes
• COMPARATIVE VISTAS
• Comparative Vistas –
Mark Slobin
• Contributors
• Index of Film Titles
• Index of Personal and Geographic Names

Wed, 15 Nov 2017 15:06:08 -0500