Global Soundtracks
Worlds of Film Music
Mark Slobin, ed.

Wesleyan University Press
distributed by UPNE



Contents

• Preview of Coming Attractions – Mark Slobin
• AMERICAN WORLDS
• The Steiner Superculture – Mark Slobin
• The Superculture beyond Steiner – Mark Slobin
• Subcultural Filmways – Mark Slobin
• GLOBAL FILM MUSICS
• CINEMA SYSTEMS
• That Bollywood Sound – Greg Booth
• Tamil Film Music: Sound and Significance – Joseph Getter and B. Balasubrahmaniyan
• The Influence of Hindi Film Music on Hausa Videofilm Soundtrack Music – Abdalla Uba Adamu
• Reflexive Cinema: Reflecting on and Representing the Worlds of Chinese Film and Music – Sue M. C. Tuohy
• CINEMA MOMENTS
• Music in Indonesian “Historical” Films: Reading Nopember 1828Sumarsam
• ‘The Soul Has No Color’ but the Skin Does: Angelitos Negros and the Use of Blackface on the Mexican Silver Screen, ca. 1950 – Marilyn Miller
Baianas, Malandros and Samba: Listening to Brazil Through Donald Duck’s Ears – Eric A. Galm
• Diversity and Orality in Euzhan Palcy’s La Rue cases-nègresBrenda F. Berrian
• Listening to Abd al-Halim Hafiz – Martin Stokes
• COMPARATIVE VISTAS
• Comparative Vistas – Mark Slobin
• Contributors
• Index of Film Titles
• Index of Personal and Geographic Names




Fri, 3 Feb 2012 08:27:46 -0500