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Trisha Brown
Choreography as Visual Art
Susan Rosenberg

Wesleyan University Press



Contents

• Acknowledgments
• Introduction: Trisha Brown, Back to the Future
• Seeing the Score:
Trillium (1962)
• Memory and Archive:
A string: Homemade, Motor, Outside (1966)
• In a Crack between Dance and Art: “Equipment Dances” (1968–1971)
• The Economy of Gesture: The “Accumulations” (1971–1973)
• To Diagram, to Dance:
Locus (1975)
• Anthologizing Process in
Line Up (1977)
• Subjectivity, Desire, and the Thinking Body:
Water Motor (1978)
• From the White Cube to the Black Box (1979–1981)
• The Name of the Game:
Set and Reset (1983) and Lateral Pass (1985)
• Abstraction and Theatricality in
Newark (Niweweorce) (1987)
• Epilogue: Trisha Brown’s Archival Imagination
• Notes
• Index

Wed, 18 Oct 2017 13:58:59 -0500