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American Music Documentary
Five Case Studies of Ciné-Ethnomusicology
Benjamin J. Harbert

Wesleyan University Press



Contents

• List of Illustrations
• Acknowledgments
• Introduction
• Where Is the Music? What Is the Music?: Albert Maysles,
Gimme Shelter (1970)
• Representing the Margins and Underrepresenting the Real: Jill Godmilow,
Antonia: A Portrait of the Woman (1974)
• The Use and Abuse of Musicological Concepts: Shirley Clarke,
Ornette: Made in America (1985)
• The Theater of Mass Culture: D. A. Pennebaker and Chris Hegedus,
Depeche Mode: 101 (1988)
• Cinematic Dub and the Multitude: Jem Cohen and Fugazi,
Instrument (1999)
• Epilogue: Toward a Ciné-Ethnomusicology
• Appendix A: Extended Music Filmography
• Appendix B: Cited Interviews and Archival Material
• Appendix C: Glossary of Terms: Sounds, Shots, and Editing Techniques
• Notes
• Works Cited
• Index

Wed, 15 Nov 2017 15:06:10 -0500