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Herman Melville
Modernity and the Material Text
Katie McGettigan

University of New Hampshire Press



Contents

• Acknowledgments
• Introduction
• Impressions of Authenticity in
Typee and Omoo
• Bookbindings and Identity in
Redburn and White-Jacket
• Metaphors, Markets, and
Moby-Dick’s “Æsthetics in All Things”
Pierre and the Ambiguities of Paper
• Reproducibility, Originality, and Modernity in
The Confidence-Man
Clarel’s Poetry and Pilgrimage of Print
• Conclusion
• Notes
• Bibliography
• Index

Wed, 18 Oct 2017 13:58:59 -0500