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Trauma and Visuality in Modernity
Lisa Saltzman, ed.; Eric Rosenberg, ed.
Dartmouth College Press University Press of New England
Table of Contents
• Acknowledgments • Introduction: Lisa Saltzman and Eric Rosenberg • IMAGE • Isabelle Wallace, Trauma as Representation: A Meditation on Manet and Johns • Eric Rosenberg, Walker Evans’s Depression and the Trauma of Photography
• MONUMENT • Erika Naginski, Canova’s Penitent Magdalene: On Trauma’s Prehistory • Lisa Saltzman, When Memory Speaks: A Monument Bears Witness
• PERFORMANCE AND INSTALLATION • Judith F. Rodenbeck, Car Crash, 1960 • Anna C. Chave, “Normal Ills”: On Embodiment, Victimization, and the Origins of Feminist Art • Gwendolyn DuBois Shaw, The “Rememory” of Slavery: Kara Walker’s The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven
• FILM • Cathy Caruth, Literature and the Enactment of Memory: (Duras, Resnais, Hiroshima mon amour) • Ernst van Alphen, The Revivifying Artist: Boltanski’s Efforts to Close the Gap
• HISTORIOGRAPHY
• Mark Jarzombek, The Post-traumatic Turn and the Art of Walid Ra’ad and Krzysztof Wodiczko: From Theory to Trope to Beyond
• Epilogue: Lisa Saltzman and Eric Rosenberg • List of Contributors • Index
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