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Trauma and Visuality in Modernity
Lisa Saltzman, ed.; Eric Rosenberg, ed.

Dartmouth College Press



Contents

Acknowledgments
• Introduction: Lisa Saltzman and Eric Rosenberg
• IMAGE
• Isabelle Wallace, Trauma as Representation: A Meditation on Manet and Johns
• Eric Rosenberg, Walker Evans’s Depression and the Trauma of Photography
• MONUMENT
• Erika Naginski, Canova’s
Penitent Magdalene: On Trauma’s Prehistory
• Lisa Saltzman, When Memory Speaks: A Monument Bears Witness
• PERFORMANCE AND INSTALLATION
• Judith F. Rodenbeck,
Car Crash, 1960
• Anna C. Chave, “Normal Ills”: On Embodiment, Victimization, and the Origins of Feminist Art
• Gwendolyn DuBois Shaw, The “Rememory” of Slavery: Kara Walker’s
The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven
FILM
• Cathy Caruth, Literature and the Enactment of Memory: (Duras, Resnais,
Hiroshima mon amour)
• Ernst van Alphen, The Revivifying Artist: Boltanski’s Efforts to Close the Gap
• HISTORIOGRAPHY
• Mark Jarzombek, The Post-traumatic Turn and the Art of Walid Ra’ad and Krzysztof Wodiczko: From Theory to Trope to Beyond
• Epilogue: Lisa Saltzman and Eric Rosenberg
• List of Contributors
• Index

Sat, 30 Sep 2017 18:07:13 -0500