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The Self in Black and White
Race and Subjectivity in Postwar American Photography
Erina Duganne

Dartmouth College Press



Contents

• Acknowledgments
• Introduction: The Self in Black and White
• Beyond the “Negro Point of View”: The Kamoinge Workshop’s “Harlem” Portfolio
• Bruce Davidson’s “American Negro” Photographs in Context
• Getting Down to the Feeling: Bruce Davidson, Roy DeCarava, and the Civil Rights Movement
• Roy DeCarava, Harlem, and the Psychic Self
• Epilogue: Dawoud Bey and the Act of Reciprocity
• Notes
• Bibliography
• Index

Sat, 2 Dec 2017 14:43:01 -0500