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Brandeis logoDartmouth College Press is a member press of the University Press of New England (UPNE). Dartmouth College’s unique focus on personalized arts and science learning has made it a global leader in liberal education. This unique focus is reflected in the books that Dartmouth College Press publishes. DCP’s interdisciplinary approach to publishing touches on everything from the fine and visual arts, to cross-cultural criticisms of American Studies, to global health and medicine.

Interfaces: Studies in Visual Culture, is a perfect representation of Dartmouth's ever-growing commitment to the study of visual culture. Similarly, Donald Pease, as founder and director of The Futures of American Studies Institute, has created the new series Remapping the Trans-National: A Dartmouth Series in American Studies, which serves as a forum for Dartmouth's leadership in charting the future course of American Studies throughout the world.

Other important series include Reencounters with Colonialism, The Collected Writings of Rousseau, and the Geisel Series in Global Health and Medicine.


cover image Faculty of Color in the Health Professions:
Stories of Survival and Success

Dena Hassouneh

Based on personal stories, a critical assessment of the multiple challenges that confront minority faculty members in the health professions
cover image Ghosts of the African Diaspora:
Re-Visioning History, Memory, and Identity

Joanne Chassot

A specter haunts African diaspora literature
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What Are the Arts and Sciences?: A Guide for the Curious

Dan Rockmore, ed.

An invaluable introduction to the arts and sciences for students, parents, and anyone curious about the nature of a liberal education

cover image Horace Vernet and the Thresholds of Nineteenth-Century Visual Culture

Daniel Harkett, ed.;
Katie Hornstein, ed.

A fresh look at a pivotal nineteenth-century painter
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From Point to Pixel:
A Genealogy of Digital Aesthetics

Meredith Anne Hoy

A timely reconsideration of digital aesthetics
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In the Name of the Mother:
Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen

Samuele F. S. Pardini

A bracingly original dialogue on modernity, class, and difference in the 20th century