 |
55 Years In Five Acts
My Life in Opera |
Varnay, Astrid; Arthur, Donald |
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About the Theater
|
Kauffmann, Stanley and Gordon Rogoff |
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Acting on the Past
Historical Performance Across the Disciplines |
Franko, Mark and Annette Richards, eds. |
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Angora Matta
Fatal Acts of North-South Translation |
Savigliano, Marta Elena |
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At Home in the World
Bharata Natyam on the Global Stage |
O'Shea, Janet |
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The Autumn of Italian Opera
From Verismo to Modernism, 1890-1915 |
Mallach, Alan |
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Balasaraswati
Her Art and Life |
Knight, Douglas M. Jr. |
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Ballets Suédois
|
De Groote, Pascale |
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Barton Mumaw, Dancer
From Denishawn to Jacob’s Pillow and Beyond |
Sherman, Jane, and Barton Mumaw. David Gere, new fwd. |
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Body and Earth
An Experiential Guide |
Olsen, Andrea: Bill McKibben, fwd. |
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Bodystories
A Guide to Experiential Anatomy |
Olsen, Andrea in collaboration with Caryn McHose |
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Butting Out
Reading Resistive Choreographies Through Works by Jawole Willa Jo Zollar and Chandralekha |
Chatterjea, Ananya |
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Can't Help Singing
The Life of Eileen Farrell |
Farrell, Eileen; Kellow, Brian |
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Capturing Nureyev
James Wyeth Paints the Dancer |
Belanger, Pamela J., ed. |
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Challenges
A Memoir of My Life in Opera |
Caldwell, Sarah with Rebecca Matlock |
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Choreographic Politics
State Folk Dance Companies, Representation and Power |
Shay, Anthony |
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Choreographing Difference
The Body and Identity in Contemporary Dance |
Albright, Ann Cooper |
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Composers On Music
Eight Centuries of Writings |
Fisk, Josiah, ed.; Nichols, Jeff, ed. |
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Converging Movements
Modern Dance and Jewish Culture at the 92nd Street Y |
Jackson, Naomi M |
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Critical Gestures
Writings on Dance and Culture |
Daly, Ann |
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Dance for Export
Cultural Diplomacy and the Cold War |
Prevots, Naima. Eric Foner, introd. |
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The Dancer Within
Intimate Conversations with Great Dancers |
Eichenbaum, Rose, Aron Hirt-Manheimer, ed. |
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Dances that Describe Themselves
The Improvised Choreography of Richard Bull |
Foster, Susan Leigh |
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Diva
Great Sopranos and Mezzos Discuss Their Art |
Matheopoulos, Helena |
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Done into Dance
Isadora Duncan in America |
Daly, Ann |
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Excursion for Miracles
Paul Sanasardo, Donya Feuer, and Studio for Dance (1955–1964) |
Franko, Mark |
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Fashionable Acts
Opera and Elite Culture in London, 1780-1880 |
Hall-Witt, Jennifer |
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Four Hundred Years of Dance Notation
|
Clarke, Bert |
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Four Puppet Plays
Play without a Title, The Divan Poems and Other Poems, Prose Poems, and Dramatic Pieces |
Lorca, Federico García. Edwin Honig, tr. |
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Franco Corelli and a Revolution in Singing
|
Zucker, Stefan |
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From Johnson's Kids to Lemonade Opera
The American Classical Singer Comes of Age |
Villamil, Victoria Etnier |
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A Game for Dancers
Performing Modernism in the Postwar Years, 1945-1960 |
Morris, Gay |
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Gender in Performance
The Presentation of Difference in the Performing Arts |
Senelick, Laurence. ed. |
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Geographies of Learning
Theory and Practice, Activism and Performance |
Dolan, Jill |
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Gilgamesh
A Verse Play |
Komunyakaa, Yusef and Chad Garcia |
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The Girl Who Fell Down
A Biography of Joan McCracken |
Sagolla, Lisa Jo |
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Glamour Addiction
Inside the American Ballroom Dance Industry |
McMains, Juliet |
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Hans Hotter
Memoirs |
Hotter, Hans; Donald Arthur, trans. and ed.; Dietrich Fischer-Dieskau and Zubin Mehta, fwds. |
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Impossible Dance
Club Culture and Queer World-Making |
Buckland, Fiona |
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In Balanchine’s Company
A Dancer’s Memoir |
Fisher, Barbara Milberg |
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Inside the Minstrel Mask
Readings in Nineteenth-Century Blackface Minstrelsy |
Bean, Annemarie, James V. Hatch, and Brooks McNamara, eds. Mel Watkins, fwd. |
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Jon Vickers
A Hero's Life |
Williams, Jeannie; Nilsson, Birgit, foreword |
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José Limón
An Unfinished Memoir |
Limón, José. Lynn Garafola, ed.; Deborah Jowitt, introd.; Carla Maxwell, fwd.; Norton Owen, afterwd. |
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Kazuo Ohno's World
from without & within |
Ohno, Kazuo; Ohno, Yoshito; Barrett, John , tr.; Mizohata, Toshio, pref. |
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La Nilsson
My Life in Opera |
Nilsson, Birgit and Popper, Doris Jung and Solti, Georg and Tuller, Peggy |
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Lee Mingwei
The Living Room |
Gross, Jennifer R., and Lewis Hyde |
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Legacies of Twentieth-Century Dance
|
Garafola, Lynn |
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Lotfi Mansouri
An Operatic Journey |
Mansouri, Lotfi with Donald Arthur |
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Maria Meneghini Callas
|
Scott, Michael |
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Mark Morris
|
Acocella, Joan |
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Martha Hill and the Making of American Dance
|
Soares, Janet Mansfield |
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Mirrors and Scrims
The Life and Afterlife of Ballet |
Siegel, Marcia B.
|
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The Modern Dance
Seven Statements of Belief |
Cohen, Selma Jeanne, ed. and introd. Erick Hawkins, Pauline Koner, José Limón, Donald McKayle, Alwin Nikolais, Anna Sokolow, and Paul Taylor, contribs. |
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Montserrat Caballe
Casta Diva |
Pullen, Robert; Taylor, Stephen |
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Movable Pillars
Organizing Dance, 1956–1978 |
Kolcio, Katja |
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Moving History/Dancing Cultures
A Dance History Reader |
Dils, Ann, and Ann Cooper Albright, eds. |
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Moving Toward Life
Five Decades of Transformational Dance |
Halprin, Anna. Rachel Kaplan, ed. |
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My Body, The Buddhist
|
Hay, Deborah. Susan Foster, introd. |
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Next Week, Swan Lake
Reflections on Dance and Dances |
Cohen, Selma Jeanne |
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No beauty for me there where human life is rare
On Jan Lauwers' Theatre Work with Needcompany |
Stalpaert, Christel, Le Roy, Frederik & Bousset, Sigrid, eds. |
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Of the Presence of the Body
Essays on dance and Performance Theory |
Lepecki, André, ed. |
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On Edge
Performance at the End of the Twentieth Century |
Carr, C. |
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Our Musicals, Ourselves
A Social History of the American Musical Theatre |
Jones, John Bush |
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Performing arts in the Austrian 18th century
New directions in historical and methodological research |
Van Schoor, Jaak, Stalpaert, Christel & Van Oostveldt, Bram, eds. |
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Perspectives on Korean Dance
|
Van Zile, Judy |
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Peter Greenaway's Prospero's Books
Critical Essays |
Stalpaert, Christel, ed. |
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Pietro Mascagni and His Operas
|
Mallach, Alan |
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A Place for the Arts
The MacDowell Colony, 1907-2007 |
Wiseman, Carter, ed. |
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The Politics of Cultural Practice
Thinking through Theatre in an Age of Globalization |
Bharucha, Rustom |
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Posing a Threat
Flappers, Chorus Girls, and Other Brazen Performers of the American 1920s |
Latham, Angela J. |
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Purcell
A Biography |
Keates, Jonathan |
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Rethinking the Sylph
New Perspectives on the Romantic Ballet |
Garafola, Lynn, ed. |
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The Returns of Alwin Nikolais
Bodies, Boundaries and the Dance Canon |
Gitelman, Claudia and Randy Martin, editors |
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The Rise and Fall of the Broadway Musical
|
Grant, Mark N. |
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Sensational Knowledge
Embodying Culture through Japanese Dance |
Hahn, Tomie |
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Signs of Life
Six Comedies of Menace |
Schenkar, Joan M. Vivian Patraka, ed. and introd. |
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Singing Archaeology
Philip Glass’s Akhnaten |
Richardson, John |
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Solkattu Manual
An Introduction to the Rhythmic Language of South Indian Music |
Nelson, David P. |
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Staging Whiteness
|
Brewer, Mary F. |
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Stance
Ideas about Emotion, Style, and Meaning for the Study of Expressive Culture |
Berger, Harris M. |
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Taken by Surprise
A Dance Improvisation Reader |
Albright, Ann Cooper, and David Gere, eds. |
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Terpsichore in Sneakers
Post-Modern Dance |
Banes, Sally |
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Theater and the Politics of Culture in Contemporary Singapore
|
Peterson, William |
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The Théâtre de la Monnaie and theatre life in the 18th -century Austrian Netherlands
From a Courtly-aristocratic to a Civil-enlightened Discourse? |
Van Oostveldt, Bram and Jaak Van Schoor, ed. |
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Tosca's Prism
Three Moments in Western Cultural History |
Burton, Deborah; Nicassio, Susan Vandiver; Ziino, Agostino, eds.; Budden, Julian; Puccini, Simonetta, forewords. |
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Traces of Light
Absence and Presence in the Work of Loïe Fuller |
Albright, Ann Cooper |
|
Tree
belief / culture / balance |
Lemon, Ralph |
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William the Wonder Kid
Plays, Puppet Plays and Theater Writings |
Silk, Dennis |
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The Work of Dance
Labor, Movement, and Identity in the 1930s |
Franko, Mark |
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Writing Dancing in the Age of Postmodernism
|
Banes, Sally |
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Writing in Motion
Body—Language—Technology |
King, Kenneth |
