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Contemporary American Poetry as Occult Practice
Devin Johnston

2002 • 160 pp. 5 1/2 x 8 1/2"
Poetry Criticism

$19.95 Paperback, 978-0-8195-6562-4

Charts the influence of occultism on America poetry from WWII to the present.

Precipitations traces the influence of the occult on contemporary American poetry and positions it within the larger tradition of Romanticism. Devin Johnston focuses on the works of H.D., Robert Duncan and James Merrill, as well as Susan Howe and Nathaniel Mackey, to show how the occult, in its resistance to dialectical thinking, proved attractive to these poets and offered a means by which traditional notions of authorship could be challenged. Johnston argues that for these writers, "the poem is not produced by the individual mind, but precipitates out of a complex network of shared circumstances."

Yeats and Blake have central roles in this study, but whereas Yeats has long been associated with occultism as a literary phenomenon, Johnston argues that Blake’s Romantic organicism has offered a more compelling model for American poets in the latter half of the twentieth century. With close attention to the ways in which recent American poetry has been written and read, Precipitations examines the composition of particular poems within the context of broad debates concerning form, indeterminacy and authorship.

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Reviews / Endorsements

"Engaging and persuasive, this thoughtful study of occult poetics will be of interest to many of us who read and study contemporary American poetry."Karen Ford, Associate Professor of English, University of Oregon

“In Precipitations, Devin Johnston carefully charts the intersections of Western occult traditions and the poetical practices of several contemporary masters. Such a vital and clarifying study is long overdue. This is an essential text for any reader seeking a deeper understanding of the role of the Creative Imagination in 20th century poetry.” Lisa Jarnot, author of Ring of Fire

Tue, 15 May 2018 12:58:23 -0500